Sock Stories – February 2021

After my mad dash to get two pairs of socks finished in a month, I haven’t done any sock knitting in January. None. Nothing. Nada.

I have a few pairs sitting in the WIP pile, but have I worked any rounds of them? Not at all.

If you haven’t, perhaps give my post from a few weeks ago a read. I may not have knit socks, but I certainly wrote about them! One of the pairs I made for Christmas was a from a pattern from 1939, so I wrote about my experience knitting that pair and my interpretations of the over 80 year old instructions.

In the meantime, happy knitting!

Another Historic Sock

A few years ago, I knit a sock (and just a sock, never getting around to making its mate) using a pattern from 1915. World War I was raging over in Europe, and a newspaper in Oshawa, Ontario published a pattern for a pair of socks. The lingo changed quite a bit in around 100 years, and when I decided to tackle the sock, I was rather inexperienced, but it was a fun challenge.

While looking through the archive of the Globe and Mail, I came across another sock pattern, published in January 1939. World War II had yet to start, but there was quite a bit of charitable knitting taking place because of the Great Depression, and there appeared to be a regular column dedicated to articles of women’s interest. This sock pattern fit in well with other articles that were typically published within.

I pulled my dad’s name for Secret Santa this year, and he is certainly knit worthy. I used this pattern to make him a pair of socks, and, all in all, the pattern was straight forward, with a few unique elements.

Now, I read up on copyright in Canada before settling in to write this blog post. As there doesn’t seem to be a direct author of this pattern, I’m operating under the assumption that this article has fallen into the public domain as it was published over 80 years ago. If it was still under copyright, I would have hesitated in writing it out and sharing it here. Gotta follow the rules, folks.

At the beginning of the article, it is noted that they had received several ‘formulas for the knitting of socks’ and the following was sent by a ‘very expert knitter.’

Materials needed were four ounces of 4-ply Scotch fingering, and four needles, size 14 (English gauge).

Size 14 appears to be 2mm, or 0 US. I used 2.5mm, and I ended up using a little more than 4oz, or the 100g ball for the socks. Perhaps my larger needle size accounts for using more yarn? I was able to finish the toe of one sock with nearly identical grey yarn from another skein! Thank goodness for a large supply of sock yarn scraps!

The pattern continues:

Cast on 73 stitches on one needle, now knit off 24, on each of three needles (72 stitches in all); the last stitch left slip onto the first needle. Join by knitting this stitch and the first stitch together. By doing this the join is not shown and it gives more spring to the top. Knit in rib 2 plain, 2 purl for 3 inches, then knit plain the desired length required to heel.

Straight forward – Cast on for 72 stitches, however you like to join in the round; Cuff is k2, p2 for 3 inches, and knit plain stockinette until you’ve reached the desired length of the leg.

Next is the heel.

Divide the stitches onto two needles, 36 on each. On the back or heel needle (be guided by the piece of casting on wool left, and keep this for the back of the sock), knit one row plain. Come back purl on the 36 stitches of the heel needle till there are 24 rows…

These directions are telling the knitter to make a 24 row, plain stockinette heel. I opted for my usual eye of partridge heel because I like the look of it better, and I’ve heard eye of partridge is better for lasting heel wear.

Now, here’s where it gets spicy.

…then knit 15 stitches. Knit two together, knit two, knit two together, knit 15. Turn, come back purl without any decreasing, then knit 14, knit two together, knit two, knit two together, knit 14; then come back purl, no decreasings. Knit 13, knit two together, knit 2, knit two together, knit 13. Come back purl, no decreasings; then knit 12, knit two together, knit 2, knit two together. Now turn (leaving the other 12 stitches on the needle), purl back 4 stitches (be careful to slip the first stitch each time at this part of the heel; this is done so that there will not be any hard knot underneath the heel, as would be the case if the first stitch was knitted), purl 2 together; turn, knit 5 stitches, knit 2 together; turn, purl 6, purl 2 together; turn, knit 7, knit 2 together; turn, purl 8, purl 2 together. Go on in this way, knitting one more each time till all stitches are knitted off from both ends of the needle. There should be 16 stitches left on needle.

Did I loose anyone? A bit confusing and difficult to keep track of, I admit. Basically, after you knit your flap, you do a series of centre decreases which starts rounding the flap before you start the typical short rows for the heel turn.

The centre decreases were confusing to me when I first read through what they wanted, but it made the heel look like this:

You can see the texture of the eye of partridge, then it sort of rounds before the turn. An interesting construction to say the least.

I changed up the heel decreases slightly when I made my socks. For the centre decreases, I worked the number of stitches, then I worked k2tog, k2, ssk, then worked the rest of the stitches. Also, for the short rows, I p2tog on the wrong side, and I ssk on the right side.

Once you’ve finished the heel turn, you’re ready to start the instep.

Break off wool.
Now pick up and knit stitches on the right hand side of heel first (if this is done the picked up stitches to not show large holes, as is the case if stitches are picked up on needle first then knitted) and knit 8 of the 18 left on heel on same needle.
Knit the other 8 on a second needle and pick up stitches with the same needle on the left side of the heel, doing it the same way as the right side. There should be 17 stitches picked up on each side of heel.

So, again, I feel like I read these instructions, and the pattern lost me. I reverted to how I normally approach starting the foot. I had my 16 heel stitches; without breaking the yarn, I picked up 17 stitches along the side of the heel flap, knit across the 36 instep stitches, and then picked up 17 stitches along the other side of the heel flap.

I think they directed to break off the yarn so that you can pick up the right side of the heel flap first, but that seemed silly to me and would have resulted in extra ends to weave in. No thanks.

To recap, knit across heel stitches, picked up from one side of heel flap, knit instep, picked up from other side of heel flap. Grand total of 86 stitches, and ready to start gusset decreases.

Now continue knitting plain the stitches on front needle. Knit three rounds plain. Then commence on the first heel needle, knit 2, knit 2 together, knit to last 4 stitches of second heel needle. Knit 2 together, knit 2, knit front needle plain without any decreasings. Knit 2 rounds plain without decreasings, then commence again on first heel needle, knit 2, knit 2 together, knit to last four stitches of second heel needle. Knit 2 together, knit 2 knit front needle plain, no decreasings; knit 2 rounds, no decreasings; then decrease in same way, doing 2 rounds without decreasing after each decreased round till 36 stitches left on back needles (18 on each) and 36 in front (72 in all).

Whew. So, I counted my first pick up round as the first of the “three rounds plain.” I worked my first gusset decrease on round 4, and knit 5 & 6 plain, and I continued like this until I was back to my 72 stitches. Also, I varied from the pattern in that I worked k2tog, k2 before the instep, knit the instep, then k2, ssk. I wanted the decreases to be right leaning and left leaning for a cleaner looking gusset.

Knit round plain, till length of foot required (usually 6 1/2 inches to 8 inches from heel, three inches allowed for toe, which gives a foot 9 1/2 inches to 11 inches).

My dad has big feet, size 11 I believe, which works out to be just shy of 11 inches. Previous socks I’ve made give lengths from the gusset, but this one was giving you the length including the rounded heel. I texted a friend for help on how to best measure. She advised to measure from, and I quote “the actual heel ‘apex’ if you will.” She said to fold the sock at the heel and measure that way, “like leg over foot in half.” Or, like this:

Cool? Cool.

Toe: Now start toe of sock. Commencing on first heel or back needle, knit 2, knit 2 together, knit plain till the last 4 stitches of second heel needle. Knit 2 together, knit 2. Front needle, knit 2, knit 2 together, knit plain till last 4 stitches of same needle; knit 2 together, knit 2. knit 2 rounds plain, no decreasings; then decrease in same way, starting on first heel needle and knit 2 rounds plain without decreasings till 40 stitches left (10 on each back needle and 20 on front), then instead of knitting 2 rounds in between decreasings knit one round and go on in the same way till 5 stitches left on each back needle and 10 on front (20 in all), cast off by knitting or drawing wool through stitches with a darning needle, being careful not to make it lumpy.

I started my decreases on the instep rather than the heel, but I feel like that’s a tomatoes/toMAHtoes kind of distinction. I started the decreases with a ssk, not a k2tog because, like before, I wanted the decreases to appear left leaning. I decreased to 24 stitches total, not 20, and the BIG difference I made was that I Kitchenered the toe and didn’t simply draw the yarn through the stitches. Certainly, the Kitchener Stitch was a thing in the late 1930s, but perhaps it wasn’t as much of a staple as it is today. I wouldn’t think of finishing a top down sock any other way than to Kitchener the toe.

All in all, this was a simple, straight forward sock, with only a few pattern challenges that really got me thinking. The heel shaping was certainly different than I’m used to, and the instructions for picking up along the heel flap left a little to be desired. And, apparently, I’m a big fan of ssk when warranted!

Perhaps the thing I found most jarring was the formatting – this is a pattern written essentially as a run-on in a newspaper column. Being super visual, I found this a little hard to follow – I wanted more pronounced breaks between sock sections, I wanted the heel shaping section to be written out with every row being clearly marked, and, for me, it would have made reading the pattern simpler. I print patterns and glue them into notebooks, my own take on a smash book, and I was able to mark up where I wanted the ssks to be, and on the opposite page, I wrote out decrease rows in a way that was clearer for me to follow.

Ultimately, the socks themselves looked GREAT, and my dad was thrilled with his new socks. Can’t ask for much more than that.

Little Women, Big Knits

Let me just say this: if they publish a book of patterns of all the knitwear that appeared in the latest adaptation of Little Women, I would buy it right now. Like, take all my moneys.

I saw the movie last night and was transfixed through the film with the stunning visuals, with how much Saoirse Ronan looks like Laura Dern, and by the lovely, lovely knits. My blog has received BIG (at jar, big compared to my usual) hits over the weekend, and I’m guessing my Sontag post has been shared a few times on Facebook. Each of the March sisters wears a Bosom Buddy though the film, varying in style, colour, and design. As this pattern was popular in the 1860s, it makes sense that these characters are wearing this wrap. At one point, Hermione Emma Watson’s Meg is wearing a Sontag with the basket weave texture that appeared in Godeys.

Originally from Godey’s; image from http://katedaviesdesigns.com/2013/06/28/sontag/

Me in my first Sontag – I’ve made three more since this first, making slight alterations with each one

It wasn’t just the Sontags that feature in the film, as we can see Amy with lovely wool mittens, and Jo wears woollen cardigans/jackets throughout. Earlier today, Berroco was posting all over social media that their Broderie Shawl was worn by Laura Dern. The list could go on!

So, moral of my story: if you feel like crying in a movie theatre and looking at pretty knits, go see Little Women.

Happy New Years!

Simple Pattern for Simple Socks.

A few weeks ago, I bought a beautiful skein of sock yarn online. I won’t post details about it because it was purchased with the intention of becoming a gift, but I will say the yarn is soft, squishy, and beautifully self striping. I was looking for an interesting texture or stitch pattern for this yarn to become socks; the yarn would do most of the heavy lifting because the stripes really would shine, and I didn’t want anything to take away from it, but I also wanted to make something more than a vanilla sock.  Hours, it felt like, were spent on Ravelry, Pinterest, and googling to try and find something that would be inspirational. Nothing seemed quite right to suit this yarn.

Then, I came across a blog written for Knitty by Franklin Habit, where he used patterns written in the 1840s by Mrs. Frances Lambert to create a sampler, and this got me thinking… was I looking in the wrong places for inspiration?

Well, I ended up in a historic knitting pattern wormhole. I downloaded both of Mrs. Lambert’s books, filled with historic patterns, and somewhere along the way, I found the Victorian Knitting Manuals collection on archive.org, maintained by the University of Southampton, where they had digitized The Stocking Knitter’s Manual: A Companion to the Work Table, by Mrs. George Cupples in 1870.  Here I found my inspiration.

 

The story of sock 1, made with the amazing self striping yarn, will continue in a further blog post another day.  I found a very simple lace pattern, adding interest to the overall pattern and yet simple enough so as not to take away from the yarn.

I’m currently experimenting with her ‘Simple Pattern.’  As written:

Calculate six stitches for each pattern

1st row – Pearl (sic) 3, O, T, P.
2nd row – Pearl 3, P 3.
3rd row – Pearl 3, P, O, T.
4th row – Pearl 3, P 3.

O means put over the thread
T is knit two together
P is plain 1

I charted this for knitting in the round, because I like charts.

FullSizeRender

 

My interpretation of this pattern, it looks like you’re working three garter stitches alternated with three stitches work as lace.

Worked as a sock, 12 or so rows in, it looks like this:

img_1147

It’s rather pretty and, as the name suggests, fairly simple.  This is further spinning my inspiration; the sock I’ve started in the picture is using stash yarn and isn’t intended for anyone. I’m right now knitting it for knitting’s sake and to test this pattern (shocking for a project knitter, I know!).  I’m adoring the lace ‘columns,’ but I’m also thinking how I could tinker with Mrs. Cupples’ pattern and make it something new.

I’m not at a loss for inspiration now.  The history geek in me should have known at the outset to start with something at least 100 years old!

Hopefully next week I’ll have another sock update!

Happy knitting!

A Sontag by Any Other Name

When historic patterns are on Raverly’s Hot Right Now page, my day is made. This happened last week when the Ladies’ Knitted Hug-Me-Tight, or Zouave Jacket made it to page 1 on Hot Right Now. As any good history nerd would do, I followed the link and started reading the book where it was originally published, made available online at archive.org.  The book was The Art of Knitting published in 1892 by the Butterick Publishing Company.

From my quick flip through, it appears to be a fascinating publication.  The first part is what we might call a Stitch Dictionary, with many interesting lace work and other stitch patterns to follow.  The chapters that follow look at different articles of knitwear, tips on how to work them, and patterns that one could make, provided that knitter is fluent in patterns from the 19th century.

My quick flipping was interrupted in the Useful Articles for Children’s Wear chapter as one pattern provided was for a Child’s Chest Protector.  Here’s the image accompanying the pattern:

Capture
Child’s Chest Protector, The Art of Knitting, p. 112; accessed from archive.org

Why did this pattern catch my eye? Because it looks awfully similar to Godey’s Sontag, a pattern I’ve made so many times now I can basically knit it in my sleep.

1860sontag
Originally from Godey’s; image from http://katedaviesdesigns.com/2013/06/28/sontag/

 

 

The ‘Child’s Chest Protector’ has incorporated the garter ridge into the actual design and pattern notes, rather than with Godey’s where the border (garter ridge or otherwise) was added after the main piece was completed.

The pattern reads:

To begin the protector – Cast on 30 stitches and knit back and forth plain until there are 7 rows

To make the first row of blocks – after finishing the first row, turn and knit as follows: knit 10, purl 5, knit 5, purl 5, knit 5 (in knitting the rows, 5 stitches must be knit plain at each site of every row, in order to firm the boder seen in the engraving). Turn

Knit 10, p 5, k5, p5, k5. Turn

K 10, p 5, k 5, p 5, k 5. Turn

Knit back and forth in this order until there are 6 rows, each formed by knitting across and back. This completed the first set of blocks.

To begin the second set of blocks – (These blocks must alternate with those of the first set). Knit 5, then widen by knitting a stitch out of the next stitch, but to not slip it off the needle; then purl out of this same stitch and slip it off; purl 4, k 5, p 5, k 5, now purl 1 out of the next stitch, but do not slip it off the needle, to widen, and then knit 5. Turn.

K 7, but do not slip off the last stitch; p 5, k 5, p 5, k 7 but do not slip the last stitch off the needle; p 1, k 5. Turn.

Complete this set of blocks after this manner, widening as described at each side between the blocks and border. Then make a set of blocks to correspond with the first set, widening as in the second set, and so on until the widest part of the protector is reached.

To make the Tabs – when the neck edge is reached (in the protector illustrated) pass all the stitches of the border at one side and those of 6 blocks onto another needle; then bind off the stitches of 4 blocks for the neck-edge. Now continue the knitting after the manner directed, to form the tab at one side, making the plain border at each side of the tab and narrowing at the outer border instead of widening as before. Complete for the other tab to correspond.

For the outer Edge – Use Angora wool and crochet shells along the border as follows: 1 single crochet and 2 doubles all in the same space, selecting the spaces so that the shells will be perfectly flat. Fasten ties of ribbon at the sides as seen in the engraving, to tie the protector about the waist.

 

There are slight differences to the patterns – Godey’s has an increase of one stitch every row while Art of Knitting increases 2 stitches every other row; as well, once you reach the arms, or ‘tabs,’ Godey’s has you decreasing on the inner edge while Art of Knitting decreases on the outer edge.  These slight changes aside, following either pattern will result in a garment which will keep your torso warm while your arms are free to move about as you want.

If 100 year old patterns are your thing, or if you’re simply interested in an old read, I’d recommend checking out The Art of Knitting, available to view online.